18February2010
The Cost of an Artificial Man, from Harmsworth Magazine circa 1892
woodswoodswoods:

Full Table refers to this as ‘Bodily Damage’, so presumably these are settlement costs for personal injury? If so, apparently just shaving your head entitles you to £85. Been in a freak moustache incident? £10 for you.

The Cost of an Artificial Man, from Harmsworth Magazine circa 1892

woodswoodswoods:

Full Table refers to this as ‘Bodily Damage’, so presumably these are settlement costs for personal injury? If so, apparently just shaving your head entitles you to £85. Been in a freak moustache incident? £10 for you.

17February2010
last night, I dislocated my elbow at the funny bone after a nasty fall at the rock gym. it’s a good thing I have brain damage!

last night, I dislocated my elbow at the funny bone after a nasty fall at the rock gym. it’s a good thing I have brain damage!

13February2010
I have a tiny, adorable contribution in this show, which opens on Tuesday, February 16 from 5-7pm at SFAI’s Diego Rivera Gallery. many thanks to the always excellent Jenny for its safe transport, who has also submitted her own small and delightfully squishy piece!

I have a tiny, adorable contribution in this show, which opens on Tuesday, February 16 from 5-7pm at SFAI’s Diego Rivera Gallery. many thanks to the always excellent Jenny for its safe transport, who has also submitted her own small and delightfully squishy piece!

11February2010
RIP Alexander McQueen (1969–2009)

RIP Alexander McQueen (1969–2009)

08February2010
unhappyhipsters:

There it hung — a bicycle built for two, an exclamation point to her lonesome heart.

unhappyhipsters:

There it hung — a bicycle built for two, an exclamation point to her lonesome heart.

05February2010
Vija Celmins, To Fix the Image in Memory, 1977-8211 stones and 11 painted bronzes
“It’s this guy who remembers everything he sees, and his head gets so filled up that he can’t function. Because he remembers everything. When I was looking at the rock and painting the bronze, I had to remember what it is I saw even though it was only five inches away. And it was like building a sort of memory. Then I was thinking, well, it’s sort of a criticism of realistic art, you know? Like a kind of ‘fuck you’. You point out that art is always invented, and that there’s nothing real about it the way nature is real.”
(via vesolt)

Vija Celmins, To Fix the Image in Memory, 1977-82
11 stones and 11 painted bronzes

“It’s this guy who remembers everything he sees, and his head gets so filled up that he can’t function. Because he remembers everything. When I was looking at the rock and painting the bronze, I had to remember what it is I saw even though it was only five inches away. And it was like building a sort of memory. Then I was thinking, well, it’s sort of a criticism of realistic art, you know? Like a kind of ‘fuck you’. You point out that art is always invented, and that there’s nothing real about it the way nature is real.”

(via vesolt)

Design and Art Direction 1966 Annual, with superbly minimalist cover design by Alan Aldridge and Lou Klein. From D&AD’s Flickr page (via Peter Nidzgorski):
During the past few years one has been aware of a growing professionalism in editorial, film and advertising techniques. In this Annual you will see work where a strong idea has been welded to this competence, to solve a design problem with economy and flair.
(via matthewb)

Design and Art Direction 1966 Annual, with superbly minimalist cover design by Alan Aldridge and Lou Klein. From D&AD’s Flickr page (via Peter Nidzgorski):

During the past few years one has been aware of a growing professionalism in editorial, film and advertising techniques. In this Annual you will see work where a strong idea has been welded to this competence, to solve a design problem with economy and flair.

(via matthewb)

03February2010
GPOYW, part two: 23 seems like a good age for me to stop cutting my own hair.

GPOYW, part two: 23 seems like a good age for me to stop cutting my own hair.

GPOYW, part one: pickled pearl onions, or jar of eyeballs?

GPOYW, part one: pickled pearl onions, or jar of eyeballs?

I read this book when I was seventeen and lost in my first year of college. my ex-boyfriend recently told me that I remind him exactly of Naoko, except that I “got better and became hip.”

I read this book when I was seventeen and lost in my first year of college. my ex-boyfriend recently told me that I remind him exactly of Naoko, except that I “got better and became hip.”

29January2010
cutest teacup in the world

cutest teacup in the world

28January2010
27January2010
designage:

“Ceilings are usually dead space. People don’t look at them. I find that interesting. I also liked the idea that somehow there’s a parallel universe that coexists with ours. The room belongs to an imaginary East Village rock guitarist type.”
google lab’s creative director ji lee has installed a miniature room on his living room ceiling.

designage:

“Ceilings are usually dead space. People don’t look at them. I find that interesting. I also liked the idea that somehow there’s a parallel universe that coexists with ours. The room belongs to an imaginary East Village rock guitarist type.”

google lab’s creative director ji lee has installed a miniature room on his living room ceiling.

26January2010
vinyl-flavored goosery

vinyl-flavored goosery

To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In [Walter] Benjamin’s terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery. And one does not get lost but loses oneself, with the implication that it is a conscious choice, a chosen surrender, a psychic state achievable through geography.
— Rebecca Solnit, A Field Guide to Getting Lost

this feels so relevant right now, especially with respect to the art classes I’ve been taking, which have focused on the honest, physical, synaesthesic response to a figure model and exploring the creative process with respect to such responses — a psychic state achievable through the geography of the human form, and my reaction to it.
helen lives in san francisco, where she climbs rocks and designs things.